There is something incredibly attractive about brokenness and fragmentation. Several years ago I did some illustration work for the Kentucky Archaeological Survey, drawing up sketches of Native American pottery based on shards and pieces from local digs. I thought it was just easy work to put myself through grad school — instead, it left me with an enduring love of fragmented and incomplete forms.
There is something incredibly attractive about brokenness and fragmentation. Several years ago I did some illustration work for the Kentucky Archaeological Survey, drawing up sketches of Native American pottery based on shards and pieces from local digs. I thought it was just easy work to put myself through grad school — instead, it left me with an enduring love of fragmented and incomplete forms.